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Michael Straczynski, drops us into a world where eight strangers in different parts of the planet are somehow psychically and emotionally linked.

Through the first season’s 12 episodes—and the recent Christmas special follow this assortment of confused and beautiful people as they try to understand this connection, use their newfound abilities to help one another, and engage in not one but two blissfully queer orgies.

Premiering as a mid-season replacement way back in March 2005, Grey’s, now in its thirteenth season, first appeared to be nothing more than an ER wannabe.

But Rhimes perfected the art of a well-told soap opera, seamlessly weaving personal strife, romantic hookups (never have supply closets seen so much action) and complex medical cases.

After all, its understanding of the form is impeccable: With dramatic cold opens, floated theories and test cases; interviews, illustrations and re-creations; careful cliffhangers and a Jinx-style hot mic, it applies the genre’s commonplaces to absurd situations with aplomb.

It’s a pungently goofy reminder that the history of “true crime” is dominated by “lowbrow” media—pulpy magazines, grocery-store paperbacks, salacious installments of Dateline or 20/20—and that its newfound sense of “prestige” is primarily a function of style.

Tell Fidel that this failure does not mean the end of the revolution, that it will triumph elsewhere.

Tell Aleida to forget this, remarry and be happy, and keep the children studying.

Even though he stumbles during the show’s midsection, his errors don’t add up to more than an inconvenience: Luke Cage blends its source material with a wide range of influences, from jazz to rap to horrors ripped straight from the headlines, and churns out a yarn that’s as powerful as it is irresistibly poppy.Still, American Vandal’s most surprising strength is not its satire—which is, in the end, rather low-hanging fruit—but its steady construction of a narrative backdrop more compelling than its creators realize.Call it Fast Times at Hanover High: The series’ promising, underutilized skeleton—one that might have had more prominence with a bit of pruning—is its amusing slice of schoolyard life. Chewing Gum Creator: Michaela Coel Stars: Michaela Coel, Robert Lonsdale, Danielle Walters, Tanya Franks Network: E4 (U.Tracey leans into and explores a sexuality that’s weird, cartoonish, and ultimately doesn’t even involve penetrative sex—Chewing Gum is instead preoccupied with the awkwardness and anxieties of sex, ignoring whether it’s unflattering and uninterested in whether or not it’s empowering. Smith, Doona Bae, Aml Ameen, Max Riemelt, Tina Desai, Miguel Ángel Silvestre, Jamie Clayton, Freema Agyeman, Terrence Mann, Anupam Kher, Naveen Andrews, Daryl Hannah Network: There is no bigger WTF TV show in the world right now than Sense8.It’s about honest sexual expression and the joy of learning not to care when you can’t meet a lofty standard, and there’s real pleasure in discovering Tracey’s sexual absurdity. This globe-trotting and glitzy sci-fi series, created by Lana and Lilly Wachowski (co-directors of The Matrix trilogy) and former Babylon 5 showrunner J.

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