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The Daumier Register is the centre of research on works by Honoré Daumier and supplies appraisals and authentications to museums, auction houses and collectors.
Daumier is one of the most frequently copied artists of the 19th century.
We suppose that the aforementioned lithograph DR39 (recto) and newspaper text (verso) are pages 3 and 4 of one these specimens produced for the promotion of LE CHARIVARI.
The reason of this assumption being that the text au verso is identical with the text on page 4 of specimens nr.1 and nr.10 in the Charivari volume 1 of Frankfurt University.
Back to Index There has been an ongoing discussion whether Daumier had used paper with watermarks for his drawings.
Some authors pointed out that high quality paper would have been too expensive for him.
For his numerous sketches Daumier mainly used “scrap paper or left-overs”.
In connection with the research done on Daumier’s drawings, the Daumier-Register has identified the following paper, used by Daumier in his oeuvre, which carried a watermark: DR11368 BLAUW DR 11246 DELIST DR 11223 PL BAS DR 11176 C. (beneath a crown) DR 11143 AMERICOURT FRERES DR 10836 J.
Daumier also produced some feather lithographs in the style of Seymour in his series "La Chasse".To read more about the history and provenance of this unique sculpture, please go to the following link: to Index An important Daumier exhibition is taking place in Bellinzona, Switzerland, in the italian speaking canton Ticino: DAUMIER: ATTUALITÀ E VARIETÀ The exhibition features ca. However, in the case of DR39 those single sheet prints that had not yet been sold latest by August 27, 1832, were destroyed after the censor had prohibited publication and after Daumier had been arrested by the police.180 lithographs, wood engravings, drawings and sculptures by Daumier, a great number of them are works on loan by the collection of the DAUMIER-REGISTER. 15, 2017 to January 7, 2018 Bellinzona Museo Civico Villa dei Cedri Guided tours on Sept. To our great surprise, we recently found a version of DR39 on normal print paper recto and printed text au verso The verso indicates “LE CHARIVARI”, however no date is given on either recto or verso.The specimens already conveyed to the public an idea about the look of the future Charivari.We are not yet sure about the first date of appearance of these specimens, but can assume they were published between February and December 1, 1832 when the first Charivari edition came out.